This concordance provides the following information for most of C.P.E. Bach's works:
(1) Wotquenne (W) number (including Paul Kast's "n.v." numbers for works listed in his Die Bach-Handschriften der Berliner Staatsbibliothek, Trossingen: Hohner, 1958) but not included in the Wotquenne catalogue)
(2) Helm (H) number, from the Helm catalogue (New Haven, 1989)--not from the abbreviated work-list published in the article on C.P.E. Bach in The New Grove Dictionary, vol. 1 (London, 1980), which uses different numbers (see below)
(3) Number in Bach's Nachlassverzeichnis (NV). Except for keyboard works, numbers taken from NV are combined here with a letter prefix identifying the category of a work (e.g., concertos are designated C1, C2, etc.); see the list of abbreviations below
(4) Place and date of composition, and date of any revision, as listed in the Nachlassverzeichnis
(5) volume and page number of the score, for works included in Darrell Berg's facsimile edition of the keyboard works (The Collected Works for Solo Keyboard by Carl Philipp Emanuel Bach 1714-1788, 6 vols., New York: Garland Publishing, 1985)
(6) short title
I apologize for the primitive form of this list, which I have not had time to convert to a fancy HTML format. Nevertheless, by searching for a particular number or title it should be possible to find any work listed after only a few tries.
Pieces listed by Helm but not by Wotquenne are, for the most part, not listed here; a few exceptions occur at the head of the list. The Helm catalogue includes (pp. 237-9) a list of works not included in the Wotquenne catalogue, as well as a list of those Helm numbers that were changed since the publication of a preliminary version of the Helm list in the 1980 New Grove dictionary (pp. 247-9).
Abbreviations
\" = set umlaut over previous character
~ means two related versions
alt. vers. = alternate version
E. = catalogue of Kirnberger's keyboard works (in Ruth Engelhardt, Untersuchungen über Einflüsse Johann Sebastian Bachs auf das theoretische und praktische Wirken seines Schülers Johann Philipp Kirnberger, diss., Erlangen-Nürnberg, 1974)
e.v. = early version
rev. = revision or revised version
varns. = varied reprises or embellishments
Prefixes for NV numbers
[no letter = solo keyboard]
C = concerto
Q = quartet
Sn = sonatina (for keyboard + ensemble)
So = sonata for solo instrument and continuo
Sy = symphony
T = trio
Places
B = Berlin
F = Frankfurt/Oder
H = Hamburg
L = Leipzig
P = Potsdam
T = Töplitz
Z = Zerbst
Wotquenne | Helm |Nachl.|Place Date Rev.|Berg|Work
| | | / /
| |p.54/2-3| | | Canons
| 1 | | |6:142| Four pieces, Notebook for AMB
|285 | | | | Fughetta on CPEBACH
|255~254| | |5:133| Allegro, D (see W. 116/28)
|333 | | | | La Juliane
|334 | | | | Variations, C
n.v. 1 |838 | | | | Merckt und Steht
n.v. 2 |796/3-4| | | | St. Luke Passion, 1783
n.v. 3 |794 | | | | St. Matthew Passion, 1781
n.v. 4 |797/2 | | | | St. John Passion, 1784
n.v. 5 |857 | | | | Ecce cui (P 349)
n.v. 6 |858 | | | | Miserere (P 349)
n.v. 7 |797/6 | | | | St. John Passion, 1784
n.v. 8 |797/4 | | | | St. John Passion, 1784
n.v. 9 |797/8 | | | | St. John Passion, 1784
n.v. 10 |776/16 | | | | Passions-Cantate
n.v.11 |768 | | | | An den Mond: Sophiens Reise
n.v.12 |769 | | | | Weil Gott uns das Gesicht
n.v.13 |770 | | | | Cancionetta, Se amor per lei
n.v. 14 |376 | | | | Ach Gott und Herr (from BWV 48) (P 349)
n.v. 15 |393 | | | | Allein Gott (P 766)
n.v. 16 |860 | | | | Hilf dass ich folge (P 349)
n.v. 17 |394 | | | | Vater unser (P 766)
n.v. 18 |337 | | | | Wo Gott zum Haus (P 339)
n.v.19 |639 | | | | Jesu meines Lebens Leben
n.v. 20/1 |336/4 | | | | Wer nur den lieben (P 788)
n.v. 20/2 |336/5 | | | | Komm heiliger (P 788)
n.v. 21/1 |336/1 | | | | O Gott du frommer (P 788)
n.v. 21/2 |336/2 | | | | Ich bin ja Herr (P 788)
n.v. 21/3 |336/3 | | | | Jesus meine Z (P 788)
n.v. 22 |859 | | | | Sey mir gesegnet (St 548)
n.v. 23 |341 | | | | Sonata, C (P 439)
n.v. 24 |342 | | | | Sonata, c (P 439)
n.v. 25 |343 | | | | Sonata, D (P 364)
n.v. 26 |344 | | | | Sonata, Eb (P 1002)
n.v. 27 |339 | | | | Sonata, e (P 364)
n.v. 28 |345 | | | | Sonata, F (P 370)
n.v. 29 |368 | | | | Sonata, F (J.E. Bach)
n.v. 30 |379 | | | | Sonata, F (J.C. Bach)
n.v. 31 | 7 | | |3:130| Sonatina, F (e.v.) (W. 64/1)
n.v. 32 | 11 | | | | Sonatina, D (e.v.) (W. 64/5)
n.v. 33 |487 | | | | Concerto, d (Nichelmann)
n.v. 34 |360 | | | | Fugue, Bb (P 918)
n.v. 35 |350 | | | | Fugue, C (P 367)
n.v. 36 |498 | | | | Concerto, Bb (Nichelmann)
n.v. 37 |256 | | |5:134| Allegro, F
n.v. 38 |257 | | |5:134| Allegretto, D
n.v. 39 |258 | | |5:133| Minuet, F
n.v. 40 |407/3 | | | | Concerto, c (P 295)
n.v. 41 |390 | | | | Parthia, C (p 295)
n.v. 42 |391/1 | | | | Andante, G (P 844)
n.v. 43 |391/2 | | | | Presto, D (P 844)
n.v. 44 |771 | | | | Nachahmung (P 971)
n.v. 45 |399 | | | | Minuet, A (E. 71)
n.v. 46 |400 | | | | Allegro, A (E. 43)
n.v. 47 |401 | | | | Vivace, a (E. 44)
n.v. 48 |402 | | | | Variations, a (E. 69)
n.v. 49 |399 | | | | Minuet, d (P 726; Kirnberger)
n.v. 50 |353 | | | | Polonoise, D (P 728)
n.v. 51 |354 | | | | Polonoise, D (P 728)
n.v. 52 |355 | | | | Polonoise, A (P 728)
n.v. 53 |171 | | | | Minuet, Eb (W. 116/1, e.v.)
n.v. 54 |340 | | | | Polonoise, G (P 672; = Kast
Inc. 68/10)
n.v. 55 |356 | | | | Larghetto, G (P 728)
n.v. 56 |392 | | | | Le travagant (P 754)
n.v. 57 |392.1 | | | | Le caressant (P 754)
n.v. 58 |392.2 | | | | Le petit mai\^tre (P 754)
n.v. 59 |392.3 | | | | Le flegmatique (P 754)
n.v. 60 |392.4 | | | | Le moribant (P 754)
n.v. 61 |392.5 | | | | Il est vive (P 754)
n.v. 62-5 |610-13 | | | | 4 duetti (W. 115; see W.
116/25)
n.v. 66 |352 | | | | Adagio, d (org.)
n.v. 67 |484.4 | | | | Cocnerto, Bb (St 619)
n.v. 68 |484.3 | | | | Concerto, Eb (St 522)
n.v. 69 |667 |?p.65/2| | | Sinfonia, G (St 228)
n.v. 70 |535 | | | | Arioso, A (see W. 79)
1 |403 |C1 |L 1733 1744| | Concerto, a
2 |404 |C2 |L 1734 1743| | Concerto, Eb
3 |405 |C3 |F 1737 1745| | Concerto, G
4 |406 |C4 |B 1738 | | Concerto, G
5 |407 |C5 |B 1739 1762| | Concerto, c
6 |409 |C7 |B 1740 | | Concerto, g
7 |410 |C8 |B 1740 | | Concerto, A
8 |411 |C9 |B 1741 | | Concerto, A
9 |412 |C10 |B 1742 | | Concerto, G
10 |413 |C11 |B 1742 | | Concerto, Bb
11 |414 |C12 |P 1743 | | Concerto, D
12 |415 |C13 |B 1744 | | Concerto, F
13 |416 |C14 |B 1744 | | Concerto, D
14 |417 |C15 |B 1744 | | Concerto, E
15 |418 |C16 |B 1745 | | Concerto, e
16 |419 |C17 |B 1745 | | Concerto, G
17 |420 |C18 |B 1745 | | Concerto, d
18 |421 |C19 |B 1745 | | Concerto, D
19 |422 |C20 |B 1746 | | Concerto, A
20 |423 |C21 |B 1746 | | Concerto, C
21 |424 |C22 |B 1747 1775| | Concerto, a
22 |425 |C23 |B 1747 | | Concerto, d
23 |427 |C24 |P 1748 | | Concerto, d
24 |428 |C25 |P 1748 | | Concerto, e
25 |429 |C26 |P 1749 | | Concerto, Bb
26~166~170 |430 |C27 |B 1750 | | Concerto, a
27 |433 |C28 |B 1750 | | Concerto, D
28~167, 171 |434 |C29 |B 1751 | | Concerto, Bb
29~168, 172 |437 |C30 |P 1753 | | Concerto, A
30 |440 |C31 |P 1753 | | Concerto, b
31 |441 |C32 |B 1753 | | Concerto, c
32 |442 |C33 |B 1754 | | Concerto, g
33 |443 |C34 |B 1755 | | Concerto, F
34~169 |444 |C35 |B 1755 | | Concerto, G, org.
35 |446 |C36 |B 1759 | | Concerto, Eb, org.
36 |447 |C37 |B 1762 | | Concerto, Bb
37 |448 |C38 |B 1762 | | Concerto, c
38 |454 |C39 |B 1763 | | Concerto, F
39~164 |465 |C40 |B 1765 | | Concerto, Bb
40~165 |467 |C41 |B 1765 | | Concerto, Eb
41 |469 |C42 |H 1769 | | Concerto, Eb
42 |470 |C43 |H 1770 | | Concerto, F
42 |242 |168 |H 1770 |4:305| Concerto, F (solo vers.)
43/1 |471 |C44 |H 1771 | | Concerto, F
43/2 |472 |C45 |H 1771 | | Concerto, D
43/3 |473 |C46 |H 1771 | | Concerto, Eb
43/4 |474 |C47 |H 1771 | | Concerto, c
43/5 |475 |C48 |H 1771 | | Concerto, G
43/6 |476 |C49 |H 1771 | | Concerto, C
44 |477 |C50 |H 1778 | | Concerto, G
45 |478 |C51 |H 1778 | | Concerto, D
46 |408 |C6 |H 1740 | | Concerto, F, 2 hpds
47 |479 |C52 |H 1788 | | Concerto, Eb, hpd., fp.
48/1 | 24 | 23 |B 1740 |1:4 | Sonata, F
48/2 | 25 | 24 |B 1740 |1:8 | Sonata, Bb
48/3 | 26 | 25 |B 1741 |1:13 | Sonata, E
48/4 | 27 | 26 |B 1741 |1:18 | Sonata, c
48/5 | 28 | 27 |B 1741 |1:24 | Sonata, C
48/6 | 29 | 28 |B 1742 |1:30 | Sonata, A
49/1 | 30 | 29 |B 1742 |2:3 | Sonata, a
49/2 | 31 | 30 |B 1742 |2:10 | Sonata, Ab
49/3 | 33 | 33 |T 1743 |2:16 | Sonata, e
49/4 | 32 | 31 |B 1742 |2:22 | Sonata, Bb
49/5 | 34 | 34 |T 1743 |2:27 | Sonata, Eb
49/6 | 36 | 35 |B 1744 |2:34 | Sonata, b
49/6/1 | 36/1 | | |6:161| Sonata, b (varns.)
49/6/2 | 36/2 | | |6:163| Sonata, b (varns.)
50/1 |136 |109 |B 1759 |2:46 | Sonata, F
50/1/2 |136/2 |p.53/9 | |5:237| Sonata, F (varns.)
50/2 |137 |110 |B 1759 |2:50 | Sonata, G
50/2/2 |137/2 |p.53/9 | |5:237| Sonata, G (varns.)
50/3 |138~334|111 |B 1759 |2:56 | Sonata, a
50/3/3 |138/3 |p.53/9 | |5:238| Sonata, a (varns.)
50/4 |139 |112 |B 1759 |2:62 | Sonata, d
50/5 |126 |102 |Z 1758 |2:68 | Sonata, Bb
50/6 |140 |113 |B 1759 |2:75 | Sonata, c
51/1~65/35-6 |150 |119 |B 1760 |2:83 | Sonata, C
51/2 |151 |120 |B 1760 |2:90 | Sonata, Bb
51/2/2 |151/2 | | |5:241| Sonata, Bb (varns.)
51/3 |127 |103 |Z 1758 |2:96 | Sonata, c
51/3/2 |127/2 | | |6:167| Sonata, c (varns.)
51/4 |128 |104 |Z 1758 |2:100| Sonata, d
51/4/2 |128/2 | | |5:236| Sonata, d (varns.)
51/5 |141 |115 |B 1759 |2:106| Sonata, F
51/5/2 |141/2 | | |5:235| Sonata, F (varns.)
51/6 | 62 | 64 |B 1750 |2:112| Sonata, g
51/6/2 | 62/2 | | |5:235| Sonata, g (varns.)
52/1 | 50 | 53 |B 1747 |2:120| Sonata, Eb
52/2 |142 |116 |B 1759 |2:126| Sonata, d
52/3 |158 |122 |B 1761 |2:131| Sonata, g
52/3/1 |158/1 | | |5:243| Sonata, g (varns.)
52/4 | 37 | 41 |B 1744 |2:136| Sonata, f#
52/5 |161 |123 |B 1762 |2:143| Sonata, E
52/6 |129 |105 |Z 1758 |2:147| Sonata, e
53/1 |162 |125 |B 1762 |2:206| Sonata, C
53/1/1 |162/1 | | |5:245| Sonata, C (varns.)
53/1/2 |162/2 | | |5:247| Sonata, C (varns.)
53/2 |180 |137 |B 1764 |2:211| Sonata, Bb
53/3 |181 |135 |B 1764 |2:216| Sonata, a
53/4 |182 |136 |B 1764 |2:222| Sonata, b
53/5 |163 |124 |B 1762 |2:229| Sonata, C
53/5/1 |163/1 | | |6:169| Sonata, C (varns.)
53/6 |183 |134 |B 1764 |2:234| Sonata, F
54/1 |204 |158 |P 1766 |1:98 | Sonata, F
54/2 |205 |156 |P 1766 |1:102| Sonata, C
54/3 |184 |146 |P 1765 |1:106| Sonata, d
54/4 |206 |154 |P 1766 |1:109| Sonata, Bb
54/5 |185 |144 |P 1765 |1:112| Sonata, D
54/6 |207 |153 |P 1766 |1:118| Sonata, A
55/1 |244 |170 |H 1773 |2:245| Sonata, C
55/2 |130 |106 |B 1758 |2:251| Sonata, F
55/3 |245 |173 |H 1774 |2:259| Sonata, b
55/4 |186 |143 |P 1765 |2:264| Sonata, A
55/5 |243 |169 |H 1772 |2:276| Sonata, F
55/6 |187 |142 |P 1765 |2:280| Sonata, G
56/1 |260 |177 |H 1778 |2:295| Rondo, C
56/2 |246 |172 |H 1774 |2:302| Sonata, G
56/3 |261 |178 |H 1778 |2:308| Rondo, D
56/4 |269 |184 |H 1780 |2:314| Sonata, F
56/5 |262 |179 |H 1778 |2:318| Rondo, a
56/6 |270 |185 |H 1780 |2:324| Sonata, A
57/1 |265 |183 |H 1779 |2:331| Rondo, E
57/2 |247 |171 |H 1774 |2:338| Sonata, a
57/3 |271 |186 |H 1780 |2:44 | Rondo, G
57/4 |208 |162 |P 1766 |2:348| Sonata, d
57/5 |266 |180 |H 1779 |2:354| Rondo, F
57/6 |173 |127 |B 1763 |2:360| Sonata, f
58/1 |276 |194 |H 1782 |1:129| Rondo, A
58/2 |273 |189 |H 1781 |1:133| Sonata
58/3 |274 |188 |H 1781 |1:136| Rondo, E
58/4 |188 |145 |B 1765 |1:140| Sonata, e
58/5 |267 |182 |H 1779 |1:146| Rondo, Bb
58/6 |277 |193 |H 1782 |1:150| Fantasia, Eb
58/7 |278 |192 |H 1782 |1:154| Fantasia, A
59/1 |281 |198 |H 1784 |2:373| Sonata, e
59/2 |268 |181 |H 1779 |2:379| Rondo, G
59/3 |282 |197 |H 1784 |2:386| Sonata, Bb
59/4 |283 |199 |H 1784 |2:394| Rondo, c
59/5 |279 |191 |H 1782 |2:399| Fantasia, F
59/6 |284 |196 |H 1784 |2:403| Fantasia, C
60 |209 |157 |P 1766 |6:81 | Sonata, c
61/1 |288 |202 |H 1786 |2:415| Rondo, Eb
61/2 |286 |201 |H 1785 |2:420| Sonata, D
61/3 |289 |208 |H 1786 |2:424| Fantasia, Bb
61/4 |290 |209 |H 1786 |2:430| Rondo, d
61/5 |287 |200 |H 1785 |2:435| Sonata, e
61/6 |291 |207 |H 1786 |2:439| Fantasia, C
62/1 | 2 | 1 |L 1731 1744|3:1 | Sonata, Bb
62/2 | 20 | 19 |B 1739 |6:2 | Sonata, G
62/3 | 22 | 21 |B 1740 |6:6 | Sonata, D
62/4 | 38 | 37 |B 1744 |6:14 | Sonata, d
62/5 | 39 | 38 |B 1744 |6:20 | Sonata, E
62/6 | 40 | 40 |B 1744 |3:7 | Sonata, f
62/7 | 41 | 39 |B 1744 |6:27 | Sonata, C
62/8 | 55 | 55 |P 1748 |6:33 | Sonata, F
62/9 | 58 | 57 |B 1749 |6:44 | Sonata, F
62/10 | 59 | 60 |B 1749 |3:16 | Sonata, C
62/11 | 63 | 62 |B 1750 |3:22 | Sonata, G
62/12 | 66 | 65 |B 1751 |3:64 | Suite, e
62/13 | 67 | 66 |B 1752 |6:50 | Sonata, D
62/14 | 77 | 75 |B 1754 |3:27 | Sonata, G
62/15 |105 | 89 |B 1756 |6:55 | Sonata, d
62/16 |116 | 91 |B 1757 |6:58 | Sonata, Bb
62/16/2 |116/2 | | |6:165| Sonata, Bb (varns.)
62/17 |117 | 95 |B 1757 |6:62 | Sonata, E
62/18 |118 | 93 |B 1757 |3:31 | Sonata, g
62/19 |119 | 94 |B 1757 |3:37 | Sonata, G
62/20 |120 | 96 |B 1757 |3:45 | Sonata, C
62/21 |131 |101 |Z 1758 |6:76 | Sonata, a
62/22 |132 | 98 |B 1758 |6:66 | Sonata, b
62/23 |210 |159 |P 1766 |3:51 | Sonata, g
62/24 |240 |167 |H 1769 |3:56 | Sonata, F
63/1 | 70 | 69 |B 1753 |1:40 | Sonata (Probestu\"ck)
63/2 | 71 | 70 |B 1753 |1:43 | Sonata (Probestu\"ck)
63/3 | 72 | 71 |B 1753 |1:46 | Sonata (Probestu\"ck)
63/4 | 73 | 72 |B 1753 |1:49 | Sonata (Probestu\"ck)
63/5 | 74 | 73 |B 1753 |1:52 | Sonata (Probestu\"ck)
63/6 | 75 | 74 |B 1753 |1:56 | Sonata (Probestu\"ck)
63/7 -9 |292-4 |203 |H 1786 |1:159| 3 sonatinas
63/10-12 |295-7 |204 |H 1786 |1:161| 3 sonatinas
64/1 | 7 | 6 |L 1734 1744|3:139| Sonatina, F (rev.)
64/1 | 7 | 6 |L 1734 |3:129| Sonatina, F (e.v.)
64/2 | 8 | 7 |L 1734 1744|3:143| Sonatina, G (rev.)
64/3 | 9 | 8 |L 1734 1744|3:149| Sonatina, a (rev.)
64/4 | 10 | 9 |L 1734 |3:153| Sonatina, e (e.v.)
64/4 | 10 | 9 |L 1734 1744|3:161| Sonatina, e (rev.)
64/5 | 11 | 10 |L 1734 1744|3:165| Sonatina, D (rev.)
64/6 | 12 | 11 |L 1734 |3:171| Sonatina, c (e.v.)
64/6 | 12 | 11 |L 1734 1744|3:179| Sonatina, c (rev.)
65/1 | 3 | 2 |L 1731 1744|3:93 | Sonata, F
65/2 | 4 | 3 |L 1732 1744|3:101| Sonata, a
65/3 | 5 | 4 |L 1732 1744|3:109| Sonata, d
65/4 | 6 | 5 |L 1733 1744|4:297| Suite, e (rev.)
65/5 | 13 | 13 |L 1735 1743|3:184| Sonata, e (rev.)
65/6 | 15 | 14 |F 1736 1743|3:189| Sonata, G (rev.)
65/7 | 16 | 15 |F 1736 |3:196| Sonata, Eb (e.v.)
65/7 | 16 | 15 |F 1736 1744|3:201| Sonata, Eb (rev.)
65/8 | 17 | 16 |F 1737 1743|3:205| Sonata, C (rev.)
65/9 | 18 | 17 |F 1737 |3:212| Sonata, Bb (e.v.)
65/9 | 18 | 17 |F 1737 1743|3:217| Sonata, Bb (rev.)
65/10 | 19 | 18 |F 1738 1743|3:229| Sonata, A (rev.)
65/10 | 19 | 18 |F 1738 |3:222| Sonata, A (e.v.)
65/11=266/3 | 21 | 20 |B 1739 |3:237| Sonata, g (rev.)
65/12 | 23 | 22 |B 1740 |3:251| Sonata, G (rev.)
65/12 | 23 | 22 |B 1740 |3:242| Sonata, G (e.v.)
65/13 | 32.5 | 32 |T 1743 |3:259| Sonata, b
65/14 | 42 | 36 |B 1744 |3:267| Sonata, D
65/15 | 43 | 42 |B 1745 |3:275| Sonata, G
65/16 | 46 | 45 |B 1746 |3:283| Sonata, C
65/17 | 47 | 46 |B 1746 |3:291| Sonata, g
65/18 | 48 | 47 |B 1746 |3:299| Sonata, F
65/19 | 49 | 48 |B 1746 |6:92 | Sonata, F
65/20=266/2 | 51 | 49 |B 1747 |3:311| Sonata, Bb
65/21 | 52 | 52 |B 1747 |4:1 | Sonata, F
65/22 | 56 | 54 |B 1748 |4:13 | Sonata, G
65/23 | 57 | 56 |P 1748 |4:21 | Sonata, d
65/24 | 60 | 58 |B 1749 |4:33 | Sonata, d
65/25 | 61 | 59 |B 1749 |4:43 | Sonata, a
65/26 | 64 | 63 |B 1750 |4:51 | Sonata, G
65/27 | 68 | 67 |B 1752 |4:59 | Sonata, g
65/28 | 78 | 76 |B 1754 |4:63 | Sonata, Eb
65/29 | 83 | 81 |B 1755 |4:71 | Sonata, E
65/30 |106 | 86 |B 1756 |4:83 | Sonata, e
65/31=266/1 |121 | 92 |B 1757 |6:97 | Sonata, c
65/32 |135 |100 |Z 1758 |6:70 | Sonata, A
65/33 |143 |114 |B 1759 |4:91 | Sonata, a
65/34 |152 |118 |B 1760 |4:98 | Sonata, Bb
65/35 |156~150|119 |B 1760 |4:103| Sonata, C
65/36 |157~150|119 |B 1760 |4:114| Sonata, C
65/37 |174 |128 |B 1763 |4:125| Sonata, A
65/38 |175 |130 |B 1763 |4:133| Sonata, Bb
65/39 |176 |131 |B 1763 |4:140| Sonata, e
65/40 |177 |132 |P 1763 |4:145| Sonata, D
65/41 |178 |133 |B 1763 |4:153| Sonata, C
65/42 |189 |147 |P 1765 |4:161| Sonata, Eb
65/43 |192 |148 |P,B 1765-6 |4:169| Sonata, A
65/44 |211 |151 |B 1766 |4:177| Sonata, Bb
65/45 |212 |152 |B 1766 |4:193| Sonata, Bb (alt. vers.)
65/45 |212 |152 |B 1766 |4:186| Sonata, Bb
65/46 |213 |155 |P 1766 |4:201| Sonata, E
65/47 |248 |174 |H 1775 |4:217| Sonata, C
65/48 |280 |195 |H 1783 |4:223| Sonata, G (for Bogenclavier)
65/49 |298 |205 |H 1786 |4:230| Sonata, c
65/50~184/2, |299~630,|206 |H 1786 |4:237| Sonata, G
92/5 520
66 |272 |187 |H 1781 |5:1 | Abschied vom Clavier
67 |300 |210 |H 1787 |6:104| Fantasia, f#
68 |164 |p.53/10| |5:233, Varns. and Embellishments
| | | |6:161|
69 | 53 | 51 |B 1747 |3:319| Sonata, d, 2-manual kb.
70/1 |133 |100 |Z 1758 |4:285| Sonata, A
70/2 |134 | 99 |Z 1758 |4:277| Sonata, Bb
70/3 | 84 | 84 |B 1755 |4:259| Sonata, F
70/4 | 85 | 85 |B 1755 |4:267| Sonata, a
70/5 | 86 | 82 |B 1755 |4:251| Sonata, D
70/6 | 87 | 80 |B 1755 |4:243| Sonata, g
70/7 |107 | 90 |B 1756 |4:274| Prelude, D, for organ
71 |502 |T1 |L 1731 1746| | Sonata, D, kb, vln
72 |503 |T2 |L 1731 1747| | Duetto, D, kb, vln
73~149 |504 |T9 |P 1745 | | Duetto, C, kb, vln
74~117/36 |507 |T19 |B 1754 | | Sonata, D, kb, vln
75 |511 |T26 |P 1763 | | Sonata, F, kb, vln
76 |512 |T27 |B 1763 | | Sonata, b, kb, vln
77 |513 |T28 |P 1763 | | Sonata, Bb, kb, vln
78 |514 |T29 |P 1763 | | Sonata, c, kb, vln
79 |535 |T45 |H 1781 | | Arioso con var., A, kb, vln
80 |536 |T46 |H 1787 | | Empfindungen, kb, vln
81 |600 |T24 |B 1758 | | 12 Stu\"cke, kb, 2 fl/vln
82 |628 |T31 |H 1769 | | 12 Stu\"cke, kb, 2 fl/vln
83~151 |505 |[T11] | [1747?] | | Sonata, D, kb, fl
84~162 |506 |T15 |P 1749 | | Duetto, E, kb, fl
85~152~157 |508 |T17 |B 1754 | | Sonata, G, kb, fl
86~153 |509 |T22 |B 1755 | | Sonata, G, kb, fl
87 |515 |T30 |B 1766 | | Sonata, C, kb, fl
88 |510 |T25 |B 1759 | | Sonata, g, kb, vdg
89/1 |525 |T39 |H 1778 (?) | | Sonata, Bb, kb, vln, vc
89/2 |526 |T40 |H 1778 (?) | | Sonata, C, kb, vln, vc
89/3 |527 |T41 |H 1778 (?) | | Sonata, A, kb, vln, vc
89/4 |528 |T42 |H 1778 (?) | | Sonata, Eb, kb, vln, vc
89/5 |529 |T43 |H 1778 (?) | | Sonata, e, kb, vln, vc
89/6 |530 |T44 |H 1778 (?) | | Sonata, D, kb, vln, vc
90/1 |522 |T32 |H 1775 | | Sonata, a, kb, vln, vc
90/2 |523 |T33 |H 1775 | | Sonata, G, kb, vln, vc
90/3 |524 |T34 |H 1775 | | Sonata, C, kb, vln, vc
91/1 |531 |T35 |H 1777 | | Sonata, e, kb, vln, vc
91/2 |532 |T36 |H 1777 | | Sonata, D, kb, vln, vc
91/3 |533 |T37 |H 1777 | | Sonata, F, kb, vln, vc
91/4 |534 |T38 |H 1777 | | Sonata, C, kb, vln, vc
92~184 et al.|516-21,|p.52/2 | | | 6 kl. Sonaten, kb, cl, bsn
~629-30
93 |537 |Q1 |H 1788 | | Quartet, a, kb, fl, vla
94 |538 |Q2 |H 1788 | | Quartet, D, kb, fl, vla
95 |539 |Q3 |H 1788 | | Quartet, G, kb, fl, vla
96 |449 |Sn1 |B 1762 | | Sonatina, D
97 |450 |Sn3 |B 1762 | | Sonatina, G
98 |451 |Sn4 |B 1762 | | Sonatina, G
99 |452 |Sn5 |B 1762 | | Sonatina, F
100 |455 |Sn7 |B 1763 | | Sonatina, E
101~106 |460 |Sn8 |B 1763 | | Sonatina, C
102~117/28 |456 |Sn9 |B 1763 | | Sonatina, D
103 |457 |Sn10 |B 1763 | | Sonatina, C
104~107 |463 |Sn11 |P 1764 | | Sonatina, F
105~108 |464 |Sn12 |P 1764 | | Sonatina, Eb
106~101 |458 |[Sn8] |[B 1763] | | Sonatina, C
107~104 |461 |[Sn11] |[P 1764] | | Sonatina, F
108~105 |462 |[Sn12] |[P 1764] | | Sonatina, Eb
109 |453 |Sn2 |B 1762 | | Sonatina, D, 2 hpds
110 |459 |Sn6 |B 1763 | | Sonatina, Bb, 2 hpds
111 | 1.5 |p.53/6 |L 1731 |5:103| Menuet, G
112/1 |190 |138 |P 1765 |2:157| Concerto, C
112/2 =117/8 |144 |117/1 |B 1759 |2:174| Fantasia, D
112/3 =116/9 |165 |126/4 |B,P 1762-5 |2:174| Minuet, D
112/4 =117/5 |145 |117/4 |B 1759 |2:175| Solfeggio, G
112/5 =116/10|166 |126/7 |B,P 1762-5 |2:175| Polonoise, a
112/6 =202B/1|693 |126/1 |B,P 1762-5 |2:176| Das Privilegium
112/7 |179 |129 |B 1763 |2:177| Sonata, d
112/8 =117/9 |146 |117/2 |B 1759 |2:182| Fantasia, Bb
112/9 =116/11|167 |126/5 |B,P 1762-5 |2:183| Minuet, D
112/10=117/6 |147 |117/5 |B 1759 |2:184| Solfeggio, C
112/11=116/12|168 |126/8 |B,P 1762-5 |2:185| Polonoise, g
112/12=202B/2|694 |126/2 |B,P 1762-5 |2:186| Die Landschaft
112/13=122/4 |191~657|107 |B 1758 P 1765|2:187| Symphony, G (=W. 180)
112/14=202B/3|695 |126/3 |B,P 1762-5 |2:197| Belinde
112/15=117/10|148 |117/3 |B 1759 |2:198| Fantasia, F
112/16=116/13|169 |126/6 |B,P 1762-5 |2:198| Minuet, A
112/17=116/14|170~170|126/9 |B,P 1762-5 |2:199| Polonoise, D
~190/1
112/18=117/7 |149 |117/6 |B 1759 |2:200| Solfeggio, G
112/19=119/5 |101.5 |78/[4] |B 1755 |2:201| Fugue, g
113/1 |193 |139/1 |P 1765 |1:63 | Allegro, G
113/2 |194 |139/2 |P 1765 |1:64 | Arioso, C
113/3 =117/15|195 |139/3 |P 1765 |1:65 | Fantasia, d
113/4 |196 |140/1-2|P 1765 |1:66 | 2 minuets, F
113/5 |197 |140/3 |P 1765 |1:68 | Polonoise, a
113/6 |198 |141/1 |P 1765 |1:69 | Allegretto, D
113/7 |199 |141/2 |P 1765 |1:70 | Polonoise, D
113/8 |200 |141/3 |P 1765 |1:71 | Allegretto, A
113/9 |201 |149/1 |P 1766 |1:72 | Andante e sostenuto, g
113/10 |202 |149/2 |P 1766 |1:73 | Presto, Bb
113/11 |203 |149/3 |P 1766 |1:74 | Allegro, d
114/1 |228 |163/1 |P 1767 |1:79 | Allegro di molto, F
114/2 |229 |163/2 |P 1767 |1:80 | Andantino e grazioso, g
114/3 |230 |163/3 |P 1767 |1:82 | Presto, c
114/4 |231 |164/1-2|P 1767 |1:84 | Minuet, G
114/5 |232 |164/3 |P 1767 |1:86 | Polonoise, D
114/6 |233 |165/1 |P 1767 |1:88 | Polonoise, Eb
114/7 =117/16|234 |165/2 |P 1767 |1:90 | Fantasia, d
114/8 |235 |165/3 |P 1767 |1:91 | Allegro, E
114/9 |236 |166/1 |P 1767 |1:92 | Allegretto, A
114/10 |237 |166/2 |P 1767 |1:94 | Andante, C
114/11 |238 |166/3 |P 1767 |1:96 | Poco allegro, e
115/1-4 |610-13 |p.52/5 | | | Four Duetti, 2 keyboards
116/1 |171 |p.53/5 | |5:115| Minuet, Eb (e.v.: Wq.n.v. 53)
116/2 |172 |p.53/5 | |5:116| Polonoise, Eb
116/3 =189/8 |214 |161/2 |P 1766 |5:118| Minuet, D
116/4 |215 |161/5 |P 1766 |5:123| Polonoise, C
116/5 |216 |161/3 |P 1766 |5:120| Minuet, C
116/6 |217 |161/6 |P 1766 |5:124| Polonoise, D
116/7 |218 |161/4 |P 1766 |5:122| Minuet, F
116/8 |219 |161/7 |P 1766 |5:125| Polonoise, G
116/9 =112/3 |165 | | | | Minuet, D
116/10=112/5 |166 | | | | Polonoise, a
116/11=112/9 |167 | | | | Minuet, D
116/12=112/11|168 | | | | Polonoise, g
116/13=112/16|169 | | | | Minuet, A
116/14=116/17|170 | | | | Polonoise, D
116/15~192 |159~601|[p.53/4]| |5:113| Minuet, C
116/16-17 |338 | |B 1755 |5:104| Two Allegros
116/18 |108 | 88/2 |B 1756 |5:108| Andantino, F
116/19 |301 |?79/4 |B 1755 |5:135| Allegretto, F
116/20 |302 |?79/5 |B 1755 |5:135| Allegro, D
116/21 |153 |121/1 |B 1760 |5:110| Allegro, C
116/22 |154 |121/2~1|B 1760 |5:112| Polonoise, g
116/23~118/10|249 |175/1 |H 1775 |5:129| Andantino, C
116/24~115/2 |250 |175/2 |H 1775 |5:129| Andante, F
116/25~115/1 |251 |175/3 |H 1775 |5:130| Allegro, D
116/26 |252 |175/4 |H 1775 |5:131| Allegro, G
116/27 |253 |175/5 |H 1775 |5:132| Andante, g
116/28 |254 |175/6 |H 1775 |5:133| Allegro, D (variant)
116/28 |254 |175/6 |H 1775 |5:131| Allegro, D
116/29~189/3 |303~622| | |5:136| Minuet, G
116/30~189/4 |304~623| | |5:138| Minuet, G
116/31~189/5 |305~624| | |5:139| Minuet, G
116/32~189/6 |306~625| | |5:141| Minuet, F
116/33~189/7 |307~626| | |5:142| Minuet, D
116/34~190/6 |308~627| | |5:144| Polonoise, A
116/35~191 |309~638| | |5:145| Minuet, D
116/36~193/5 |310~635/5| | |5:147| Allegro di molto, A
116/37~193/6 |311~635/6| | |5:150| Allegro, E
116/38~193/8 |312~635/8| | |5:154| Allegro, Bb
116/39~193/7 |313~635/7| | |5:157| Presto, a
116/40~193/11|314~635/11| | |5:159| Minuet, D
116/41~193/13|315~635/13| | |5:160| Polonoise, F
116/42~193/14|316~635/14| | |5:160| Polonoise, A
116/43~193/15|317~635/15| | |5:161| Polonoise, Bb
116/44~193/16|318~635/16| | |5:162| Polonoise, Eb
116/45~187/1 |319~635/17, 637/1| | |5:163| March, F
116/46~187/2 |320~635/18~637/2 | | |5:164| March, D
116/47~193/19|321~635/19| | |5:166| Minuet, C
116/48~193/20|322~635/20| | |5:168| Minuet, G
116/49~193/21|323~635/21| | |5:170| Polonoise, D
116/50~115/3,|324~612,| | |5:172| Langsam und traurig, a
186/1,193/28| 620/1,638/28
116/51~193/29|325~635/29| | |5:173| Allegro, C
116/52~184/4 |326~632| | |5:175| Allegro ma non troppo, Eb
116/53~185/2,|327~251, | |5:178| Allegro, C
116/25 615
116/54~185/4 |328~617| | |5:179| Allegro, G
116/55~185/5 |329~618| | |5:180| Allegro, Eb
116/56~185/6 |330~619| | |5:181| Allegro, D
116/57~184/6 |331~634| | |5:183| Allegretto grazioso, C
117/1 |241 |p.53/7 | |5:231| [Solfeggio] for one hand
117/2 |220 |160/4 |P 1766 |5:223| Solfeggio, c ("Solfegietto")
117/3 |221 |160/5 |P 1766 |5:224| Solfeggio, c
117/4 |222 |160/6 |P 1766 |5:226| Solfeggio, A
117/5 =112/4 |145 | | | | Solfeggio, G
117/6 =112/10|147 | | | | Solfeggio, C
117/7 =112/18|149 | | | | Solfeggio, G
117/8 =112/2 |144 | | | | Fantasia, D
117/9 =112/8 |146 | | | | Fantasia, Bb
117/10=112/15|148 | | | | Fantasia, F
117/11 |223 |160/1 |P 1766 |5:228| Fantasia, G
117/12 |224 |160/2 |P 1766 |5:228| Fantasia, d
117/13 |225 |160/3 |P 1766 |5:229| Fantasia, g
117/14 |160 |p.54/6 | |5:221| Fantasia, D, (Versuch)
117/15=113/3 |195 | | | | Fantasia, D
117/16=114/7 |234 | | | | Fantasia, d
117/17 | 79 | 77/3 |B 1754 |6:153| La Borchwald (G, polonaise)
117/18 | 80 | 77/2 |B 1754 |6:152| La Pott (C, minuet)
117/19 | 89 | 83/3 |B 1755 |6:156| La Gleim (a, rondeau)
117/20 | 90 | 83/5 |B 1755 |6:159| La Bergius (Bb)
117/21 | 91 | 83/1 |B 1755 |6:155| La Prinzette (F)
117/22 |122 | 97/5 |B 1757 |6:160| L'Auguste (F, polonaise)
117/23 | 92 | 83/7 |B 1755 |5:204| L'Herrmann (g)
117/24 | 93 | 83/6 |B 1755 |5:202| La Buchholtz (d)
117/25 | 94 | 83/4 |B 1755 |5:199| La Stahl (d)
117/26 | 81 | 77/4 |B 1754 |5:186| La Boehmer (D, murky)
117/27 | 95 | 83/2 |B 1755 |5:196| L'Aly Rupalich (C, murky)
117/28 |109 | 87/2 |B 1756 |5:208| La Complaisante (Bb)
117/29 |123 | 97/1-2|B 1757 |5:214| La Xenophon, La Sybille (C#,
c#)
117/30 |110 | 87/3 |B 1756 |5:209| Les Langueurs tendres (f)
117/31 |111 | 87/5 |B 1756 |5:211| L'Irresolue (G)
117/32 |112 | 87/4 |B 1756 |5:210| La Journaliere (c)
117/33 |113 | 87/1 |B 1756 |5:206| La Capricieuse (e)
117/34 | 96 | 79/1 |B 1755 |5:190| La Philippine (A)
117/35 | 97 | 79/2 |B 1755 |5:192| La Gabriel (C)
117/36 |114 | 88/1 |B 1756 |5:212| La Louise (D)
117/37 | 82 | 77/1 |B 1754 |6:151| La Gause (F)
117/38 |124 | 97/4 |B 1757 |5:218| L'Ernestine (D)
117/39 | 98 | 79/3 |B 1755 |5:194| La Caroline (a)
117/40 |125 | 97/3 |B 1757 |5:216| La Sophie (Bb)
118/1 | 69 | 68 |B 1752 |5:31 | Variations, Ich schlief
118/2 |155 |121/3 |B 1760 |5:42 | Variations, Italian arietta
118/3 | 44 | 44 |B 1745 |5:5 | Minuet with 5 variations
118/4 | 54 | 50 |B 1747 |5:13 | Arioso with 7 variations
118/5 | 65 | 61 |B 1750 |5:21 | Allegretto, 6 variations
118/6 |226 |150 |B 1766 |5:53 | Romanze, 12 variations
118/7 =269 | 14 | 12 |F 1735 |6:111| Minuet by Locatelli
118/8 |275 |190 |H 1781 |5:85 | Canzonetta, 6 variations
118/9 |263 |176 |H 1778 |5:77 | Follia, 12 variations
118/10 |259 |?p.53/8| |5:59 | Varns. w/var'd. reprises
119/1 |76 |78/6? | |5:90 | Duo in contrapuncto
119/2 | |78/[2] |B 1755 |5:92 | Fugue, d
119/3 |100 |78/[3] |B 1755 |6:127| Fugue, F
119/4 |101 |78/[4] |B 1755 |6:132| Fugue, A
119/5=112/19 |101.5 |78/1 |B 1755 |2:201| Fugue, g
119/6 |102 |78/[5] |B 1755 |6:135| Fugue, Eb
119/7 | 75.5 |78/[6?]| |5:95 | Fantasia and fugue, c
120 |264 |p.53/11| | | Cadenzas
121 |867 |p.54/1 | | | Miscellanea musica
122/1~173 | 45 | 43 |B 1745 |4:317| Symphony, G
122/2~175 |104 | | |3:75 | Symphony, F
122/3~177,178|115~652| | | | Symphony, e
122/4=112/13 |191 | |B 1758 P 1765 |2:187| Symphony, G
122/5~181 |227~656|108 |B [1762]P 1766|3:83 | Symphony, F
123 |550 |So3 |F 1735 | | Sonata, G, fl, bc
124 |551 |So4 |F 1737 | | Sonata, e, fl, bc
125 |552 |So5 |B 1738 | | Sonata, Bb, fl, bc
126 |553 |So6 |B 1738 | | Sonata, D, fl, bc
127 |554 |So7 |B 1739 | | Sonata, G, fl, bc
128 |555 |So8 |B 1740 | | Sonata, a, fl, bc
129 |556 |So9 |B 1740 | | Sonata, D, fl, bc
130 |560 |So13 |B 1746 | | Sonata, Bb, fl, bc
131 |561 |So14 |B 1747 | | Sonata, D, fl, bc
132 |562 |So15 |B 1747 | | Sonata, a, fl solo
133 |564 |So19 |H 1786 | | Sonata, G, fl, bc
134 |548 |So2 | | | Sonata, G, fl, bc
135 |549 |So1 | | | Sonata, g, ob, bc
136 |558 |So11 |B 1745 | | Sonata, C, vdg, bc
137 |559 |So12 |B 1746 | | Sonata, D, vdg, bc
138 |557 |So10 |B 1740 1769| | Sonata, g, vc, bc (lost)
139 |563 |So18 |B 1762 | | Solo, G, harp
140 |598 |So16 |B 1748 | | Duet, e, fl., vln.
141 |599 |So17 |B 1752 | | Duet, d, 2 vlns.
142 |636 | | | | Duet, C, 2 clarinets
143 |567 |T3 |L 1731 1747| | Sonata, b, fl, vln, bc
144 |568 |T4 |L 1731 1747| | Sonata, e, fl, vln, bc
145 |569 |T5 |L 1731 1747| | Sonata, d, fl, vln, bc
146 |570 |T6 |L 1731 1747| | Sonata, A, fl, vln, bc
147 |571 |T7 |L 1731 1747| | Sonata, C, fl, vln, bc
148 |572 |T8 |B 1735 1747| | Sonata, a, fl, vln, bc
149~73 |573 |T9 |P 1745 | | Sonata, C, fl, vn, bc
150 |574 |T10 |P 1747 | | Sonata, G, fl, vn, bc
151~83 |575 |T11 |P 1747 | | Sonata, D, fl, vn, bc
152~85, 157 |581 | |P 1754 | | Trio, F, fl, vln, bc
153~86 |586 |T22 |B 1755 | | Sonata, G, fl, vln, bc
154 |576 |T12 |P 1747 | | Sonata, F, 2 vln, bc
155 |577 |T13 |P 1747 | | Sonata, e, 2 vln, bc
156 |582 |T18 |P 1754 | | Sinfonia, a, 2 vln, bc
157~85, 152 |583 |T17 |B 1754 | | Sonata, G, 2 vln, bc
158 |584 |T20 |B 1754 | | Sonata, Bb, 2 vln, bc
159~163 |587 | |B 1755 | | Sonata, Bb, 2 vln, bc
160 |590 |T23 |B 1756 | | Sonata, F, 2 vlns, bc
161/1 |579 |T16 |P 1749 | | Sonata, c, 2 vln, bc
161/2 |578 |T14 |P 1748 | | Sonata, Bb, fl, fl/vln, bc
162~84 |580 |T15 |P 1749 | | Trio, 2 fl, bc
163~159 |588 |T21 |B 1755 | | Sonata, F, vla, bs rec, bc
164~39 |466 | | | | Concerto, Bb, ob
165~40 |468 | | | | Concerto, Eb, ob
166~26 |431 | | | | Concerto, a, fl
167~28 |435 | | | | Concerto, Bb, fl
168~29 |438 | | | | Concerto, A, fl
169~34 |445 | | | | Concerto, G, fl
170~26 |432 | | | | Concerto, a, vc
171~28 |436 | | | | Concerto, Bb, vc
172~30 |439 | | | | Concerto, A, vc
173 |648 |Sy1 |B 1741 | | Symphony, G
174 |649 |Sy3 |B 1755 | | Symphony, C
175 |650 |Sy4 |B 1755 | | Symphony, F
176 |651 |Sy2 |B 1755 | | Symphony, D
177~178 |652 | |B 1756 | | Symphony, e
178 |653 |Sy5 |B 1756 | | Symphony, e
179 |654 |Sy6 |B 1757 | | Symphony, Eb
180 |655 |Sy7 |B 1758 | | Symphony, G
181 |656 |Sy8 |B 1762 (?) | | Symphony, F
182/1 |657 |Sy9 |H 1773 | | Symphony, G
182/2 |658 |Sy10 |H 1773 | | Symphony, Bb
182/3 |659 |Sy11 |H 1773 | | Symphony, C
182/4 |660 |Sy12 |H 1773 | | Symphony, A
182/5 |661 |Sy13 |H 1773 | | Symphony, b
182/6 |662 |Sy14 |H 1773 | | Symphony, E
183/1 |663 |Sy15 |H 1776 (?) | | Symphony, D
183/2 |664 |Sy16 |H 1776 (?) | | Symphony, Eb
183/3 |665 |Sy17 |H 1776 (?) | | Symphony, F
183/4 |666 |Sy18 |H 1776 (?) | | Symphony, G
184/1~92/1 |629~516|p.52/1 |H 1775 | | Wind sonata, D
184/2 |630 |p.52/1 |H 1775 | | Wind sonata, F
184/3 |631 |p.52/1 |H 1775 | | Wind sonata, G
184/4 |632 |p.52/1 |H 1775 | | Wind sonata, Eb
184/5 |633 |p.52/1 |H 1775 | | Wind sonata, A
184/6 |634 |p.52/1 |H 1775 | | Wind sonata, C
185/1 |614 |p.52/3 |H | | Wind march, D
185/2 |615 |p.52/3 |H | | Wind march, C
185/3 |616 |p.52/3 |H | | Wind march, F
185/4 |617 |p.52/3 |H | | Wind march, G
185/5 |618 |p.52/3 |H | | Wind march, Eb
185/6 |619 |p.52/3 |H | | Wind march, D
186/1 |620/1 |p.52/4 |H | | Langsam und traurig, winds, a
186/2 |620/2 |p.52/4 |H | | Sanft und etwas langsam, F
187 |637 |p.52/7 | | | 2 marches, winds, F, D
188 |621 |p.53/2 |H | | _Stu\"ck_, str.,tr., C (?)
189/1 |602 |p.52/6 | | | Minuet, winds, str., D
189/2 |603 |p.52/6 | | | Minuet, winds, str., D
189/3 |622 |p.52/6 | | | Minuet, winds, str., G
189/4 |623 |p.52/6 | | | Minuet, winds, str., G
189/5 |624 |p.52/6 | | | Minuet, winds, str., G
189/6 |625 |p.52/6 | | | Minuet, winds, str., F
189/7 |626 |p.52/6 | | | Minuet, winds, str., D
189/8 |606 |p.52/6 | | | Minuet, winds, str., D
190/1~112/17 |604~170|p.53/1 | | | Polonaise, winds, str., D
190/2 |607 |p.53/1 | | | Polonaise, winds, str., D
190/3 |605 |p.53/1 | | | Polonaise, winds, str., a
190/4 |608 |p.53/1 | | | Polonaise, winds, str., D
190/5 |609 |p.53/1 | | | Polonaise, winds, str., C
190/6 |627 |p.53/1 | | | Polonaise, winds, str., A
191~116/35 |638~309|p.53/3 | | | 2 minuets, orch., D, d
192 |601 |[p.53/4]|by 1762 | | 2 minuets, orch., C
193 |635 | | | | 30 pieces, mechanical instr.
194 |686 | |by 1758 | | 55 Gellert-Oden
195 |696 | |by 1764 | | Gellert-Anhang (12 songs)
196 |733 | |by 1774 | | 42 Cramer-Psalmen
197 |749 | |by 1780 | | 30 Sturm-Gesa\"nge
198 |752 | |by 1781 | | 30 Sturm-Gesa\"nge
199 | | |by 1762 | | 20 Oden mit Melodien
199/1 |677 | |by 1762 | | Die sa\"chsishe Helene
199/2 |670 | |by 1762 | | Scha\"ferlied
199/3 |679 | |by 1762 | | Lied des ju\"ngen Ma\"gdchens
199/4 |673 | |by 1762 | | Die Ku\"sse (Giseke)
199/5 |674 | |by 1762 | | Trinklied (Gleim)
199/6 |680 | |by 1762 | | Der Morgen
199/7 |678 | |by 1762 | | Dorinde
199/8 |683 | |by 1762 | | Der Stoiker
199/9 |681 | |by 1762 | | Die Biene
199/10 |671 | |by 1762 | | Der Zufriedne
199/11 |675 | |by 1762 | | Amint
199/12 |672 | |by 1762 | | Die verliebte Verzweifelung
199/13 |682 | |by 1762 | | Die Ku\"sse (Lessing)
199/14 |676 | |by 1762 | | Die ma\"rkische Helene
199/15 |684 | |by 1762 | | Serin
199/16 |685.5 | |by 1762 | | Ernestine
199/17 |690 | |by 1762 | | Der Traum
199/18 |691 | |by 1762 | | Die Tugend
199/19 |692 | |by 1762 | | Doris
199/20 |687 | |by 1762 | | Herausforderungslied
200 | | | | | 22 Neue Liedern
200/1 |745 | | | | Todtengra\"berlied
200/2 |755 | | | | Lied der Schnitterinnen
200/3 |756 | | | | Nonnelied
200/4 |757 | | | | Das mitleidige Ma\"dchen
200/5 |748 | | | | An die Grazien
200/6 |702 | | | | An die Natur
200/7 |758 | | | | Bevelise und Lysidor
200/8 |703 | | | | An meine Ruhesta\"tte
200/9 |734 | | | | Der Fru\"hling, an Ro\"schen
200/10 |700 | | | | Belise und Thyrsis
200/11 |704 | | | | An den Schlaf
200/12 |705 | | | | Die Zufriedenheit
200/13 |740 | | | | Trinklied (Ho\"lty)
200/14 |747 | | | | Aus einer Ode zum neuen Jahr
200/15 |706 | | | | Gartenlied
200/16 |759 | | | | Mittel, freundlich zu werden
200/17 |707 | | | | Auf den Geburtstag
200/18 |760 | | | | Ich hoff auch Gott
200/19 |708 | | | | Freunde, kommt
200/20 |701 | | | | An eine kleine Scho\"ne
200/21 |741 | | | | An Doris
200/22 |735 | | | | Kantate: Die Grazien
201 |699 | |by 1766 | | Der Wirth und die Ga\"ste
202/A |688 | |by 1760 | | Freude, du Lust der Go\"tter
202/B/1=112/6|693 |p.17 |by 1765 | | Das Privilegium
202/B/2=112/12|694 |p.17 |by 1765 | | Die Landschaft
202/B/3=112/14|695 |p.17 |by 1765 | | Belinde
202/C |709-21 | | | | Songs from _Unterhaltungen_
202/C/1 |709 | |by 1768 | | Der Unbesta\"ndige
202/C/2 |710 | |by 1768 | | Phyllis
202/C/3 |711 | |by 1768 | | An die Liebe
202/C/4 |712 | |by 1769 | | Weihnachtslied
202/C/5 |713 | |by 1769 | | Vom Leiden des Erlo\"sers
202/C/6 |714 | |by 1769 | | Klagen einer Scha\"ferin
202/C/7 |715 | |by 1769 | | Ode auf die Gegenwart
202/C/8 |716 | |by 1769 | | Auf die Auferstehung
202/C/9 |717 | |by 1769 | | Ode am Communion-Tage
202/C/10 |718 | |by 1770 | | Loblied
202/C/11 |719 | |by 1770 | | Bey dem Grage
202/C/12 |720 | |by 1770 | | Schnitterlied
202/C/13 |721 | |by 1770 | | Passionslied
202/D |698 |p.21 |1766 | | Bachus und Venus
202/E |724-29 | | | | Songs from _Mu\"nters Lieder_
202/E/1 |724 | |by 1773 | | Communionlied
202/E/2 |725 | |by 1773 | | Freudige Erwartung des Todes
202/E/3 |726 | |by 1773 | | Ermunterung zur Besta\"ndigkeit
202/E/4 |727 | |by 1773 | | Glu\"ckseligkeit des Christen
202/E/5 |728 | |by 1773 | | Osterlied
202/E/6 |729 | |by 1773 | | Des Herrn Wort ist wahrhaftig
202/F/1 |731 | |by 1774 | | Vaterlandslied
202/F/2 |732 | |by 1774 | | Der Bauer
202/G/1 |736 | |by 1775 | | Die Schlummernde
202/G/2 |737 | |by 1775 | | Lyda
202/H |744 | |by 1776 | | An den Schlaf
202/I/1 |738 | |by 1776 | | Trinklied fu\"r Freye
202/I/2 |739.5 | |by 1776 | | Selma (cantata)
202/J |746 | |by 1778 | | Selma
202/K/1 |750 | |by 1781 | | Fischerlied
202/K/2 |751 | |by 1781 | | Tischlied
202/L/1 |753 | |by 1782 | | Ich ging unter Erlen
202/L/2 |754 | |by 1782 | | Das Milchma\"dchen
202/M |(75) | | | | "Hamlet" fantasia
202/N |764 | |by 1788 | | 12 Masonic songs
202/O/1 |742 | | | | Auf den Flu\"geln
202/O/2 |730 | | | | Klagelied eines Bauren
202/O/3 |765 | | | | Aus dem 107ten Cramer. Ps.
202/O/4 |743 | | | | Die Trennung
202/O/5 |766 | | | | Die scho\"nste soll
203 |781 | | | | 14 Neue Melodien
204 |780,871|p.55 |1786 | | 2 Litaneyen
205 |773 | |by 1761 | | Der 2ten Ps.
206 |774 | |by 1761 | | Der 4te Ps.
207 |825 |p.63 |H | | Veni sancte spritus
208/1 |826/1 |pp.63-4|H | | Trost der Erlo\"sung (motet)
208/2 |826/2 |pp.63-4|H | | Der Kampf der Tugend (motet)
208/3 |826/3 |pp.63-4|H | | Bitten (motet)
208/4 |826/4 |pp.63-4|H | | Menschenliebe Jesu (motet)
209 |839 |p.64 | | | Et cum spiritu (antiphona)
210 |840 |p.64 | | | Amen
211 |669 |p.64 |by 1738? | | 3 arias
212, 247 |812 |p.61 | | | Michaelis-Musik: Siehe
213 |767 |p.64 | | | Italia\"nische Ariette
214 |761 |p.64 |1785 | | Aria: Fu\"rsten sind
215 |772 | |1749 | | Magnificat
216 |829 |p.56 |1770 | | Spiega, Ammonia
217 |778 | |c.1776 | | Heilig (double chorus)
218 |827 |p.62 |H | | Heilig (single chours)
219 |828 |p.63 |H | | Sanctus
220 |855 | | | | Veni sancte spiritus (Telemann?)
221 |830 |p.62 |1771 | | Mein Heiland (chorus)
222 |831 |p. 62 |1774 | | Der 8. Ps.: Wer is so wu\"rdig
223 |832 |p.62 |1777 | | Zeige du mir deine Wege
224 |798 |p.60 |by 1784-5 | | St. Matthew Passion, 1785
225 |833 |p.63 |1780 | | Gott, dem ich lebe
226 |834 |p.63 |1783 | | Amen, Lob und Preis
227 |835 |p. 63 |1783 | | Leite mich nach deinem Willen
228 |836 |p.63 |1783 | | Meine Lebenszeit
229 |837 |p.63 |by 1788 | | Meinen Leib wird man begraben
230 |795 |p.60 |by 1782 | | St. Mark Passion, 1782
231 |762 |p.62 |1785 | | Freudenlied
232 |697 |p.65 |1765 | | Phillis und Thirsis
233 |776 | |1769 | | Passions-Cantate
234 |800 |p.61 |by 1787 | | St. Luke Passion, 1787
235 |802 |p. 61 |by 1788 | | St. Matthew Passion, 1789
236 |739 | | | | Selma (cantata; with orch.)
237 |723 |p. 62 |1770-72 | | Der Fru\"hling (cantata)
238 |775 |p.54 |1769 | | Die Israeliten in der Wu\"ste
239 |779 |p.55 |1783 | | Kloptstocks Mortengesang
240 |777 |p.55 |1777-78 | | Auferstehung und Himmelsfahrt
241 |805 | | | | Oster Musik: Nun danket
242 |804 |p.61 |1778 | | Oster Musik: Jauchzet
243 |807 |p.61 |1784 | | Osterquartal Musik: Anbetung
244 |803 | |1756 | | Oster-Cantate: Gott hat
245 |810 |p.61 |1772 | | Michaelis-Musik: Ich will
246 |814 |p.62 |1785 | | Michaelis-Musik: Der Freuler
247 |812 |p.61 |1775 | | Michaelis-Musik: Siehe
248 |809 | | | | Michaelis-Musik: Den Engeln
249 |815 |p.62 |1775 | | Weihnachts quartal Stu\"ck: Auf
250 |821l | |1785 | | Inauguration: Gasie
251 |821g | |1775 | | Inauguration: Friderici
252 |821f | |1773 | | Inauguration: Winkler
253 |821m | |1785 | | Inauguration: Scha\"ffer
254 |868 | |by 1753 | | Versuch, vol. 1
255 |870 | |by 1762 | | Versuch, vol. 2
256 |868,873| | | | Versuch, vol. 1
257 |869 | |by 1757 | | Einfall...Contrapunct
258 |874 | | | | Kurze Anweisung (spurious)
259 | | | | | _Anfangsstu\"cke_ (Rellstab,
1788-90; selns. from W. 113, 262)
260 | | | | | Rellstab, 1789;
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